Foghorn Leghorn - The Yolk's On You (1980)

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Disney's Princesses

Disney's The Jungle Book (1967)

A classic 1967 Disney animated film that's loosely based on Rudyard Kipling's book of the same name, Jungle Book tells the story of a young boy Mowgli who was raised by animals in the jungle. When tiger Shere Khan (George Sanders) threatens to return to their part of the jungle, the other animals decide that Mowgli must return to the man village in order to ensure his safety. Panther Bagheera has difficulty convincing Mowgli to follow him to the man village and recruits the help of a big lovable bear Baloo (Phil Harris). Mowgli's journey is one of wit, song, and many surprises. A timeless film populated by strong characters bursting with personality, great music like Sebastian Cabot & Louis Prima doing "Bare Necessities" and "I Wanna Be Like You," and inspiring animation by Frank Thomas, Ollie Johnston, and other master animators, Jungle Book captivates audiences of all ages.

Woody Woodpecker - Pantry Panic (1941)

Banned Cartoons: Bugs Bunny - All This And Rabbit Stew (1941)

Speedy Gonzales - The Astroduck (1966)

Disney's Pinocchio (1940)

This Disney masterpiece from 1940 will hold up forever precisely because it doesn't restrain or temper the most elemental emotions and themes germane to its story. Based on the Collodi tale about a wooden puppet who wants to become a real boy, Pinocchio is among the most magical, mythical, and frightening films to come from the studio in its long history. A number of scenes make permanent impressions on young minds (just ask Steven Spielberg, who quoted the film more than once in Close Encounters of the Third Kind), and the songs ("When You Wish upon a Star") can't be beat. --Tom Keogh

Banned Cartoons: Mickey Mouse - A Haunted House (1929)

Disney's Beauty and the Beast (1991)

The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke

Tex Avery - Who Killed Who (1943)

Disney's Bambi (1942)

It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton

Disney's The Many Adventures of Winnie the Pooh (1977)

Disney's 1977 The Many Adventures of Winnie the Pooh may be the last word on (animated) Pooh because it so faithfully honors the first word on Pooh, penned in the 1920s by British storyteller A.A. Milne. Gently paced, subtly humorous, and blessedly understated, this adaptation reflects Walt Disney's original vision to develop the beloved British bear for a wider audience. The film is essentially a collection of the original Pooh shorts, "The Honey Tree," "The Blustery Day," and "Winnie the Pooh and Tigger Too." These storybooks are presented in seamless "chapters," narrated by the timeless Sebastian Cabot. The familiar musical score and original voices of Sterling Holloway as Pooh, and Paul Winchell as Tigger, cap this enchanting keepsake. (Ages 2 and up). --Lynn Gibson

Disney's The Lion King (1994)

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrats crowd. --Tom Keogh

Popeye - Spinach Fer Britain (Banned WW2 Cartoon)